Download This Bill in Microsoft Word format

Bill 177

                    Current Status

Bill Number:                      177
Ratification Number:              110
Act Number:                       64
Type of Legislation:              General Bill GB
Introducing Body:                 Senate
Introduced Date:                  19990112
Primary Sponsor:                  Jackson
All Sponsors:                     Jackson
Drafted Document Number:          l:\s-res\dj\005spir.kad.doc
Date Bill Passed both Bodies:     19990527
Date of Last Amendment:           19990519
Governor's Action:                S
Date of Governor's Action:        19990611
Subject:                          Spiritual designated as official music of 
                                  State; State Symbols and Emblems


                        History

Body    Date      Action Description                     Com     Leg Involved
______  ________  ______________________________________ _______ ____________
------  19990702  Act No. A64
------  19990611  Signed by Governor
------  19990609  Ratified R110
Senate  19990527  Concurred in House amendment, 
                  enrolled for ratification
House   19990520  Read third time, returned to Senate
                  with amendment
House   19990519  Read second time
House   19990519  Amended
House   19990518  Committee report: Favorable with       25 HJ
                  amendment
House   19990310  Introduced, read first time,           25 HJ
                  referred to Committee
Senate  19990309  Read third time, sent to House
Senate  19990304  Read second time
Senate  19990303  Committee report: Favorable            11 SJ
Senate  19990112  Introduced, read first time,           11 SJ
                  referred to Committee
Senate  19981216  Prefiled, referred to Committee        11 SJ


                             Versions of This Bill
Revised on March 3, 1999 - Word format
Revised on May 18, 1999 - Word format
Revised on May 19, 1999 - Word format

(A64, R110, S177)

AN ACT TO AMEND ARTICLE 9, CHAPTER 1, TITLE 1, CODE OF LAWS OF SOUTH CAROLINA, 1976, RELATING TO STATE EMBLEMS, PLEDGES TO THE STATE, AND OFFICIAL OBSERVANCES, BY ADDING SECTION 1-1-688 SO AS TO DESIGNATE THE SPIRITUAL AS THE OFFICIAL MUSIC OF THE STATE.

Whereas, the spiritual is a song originating in the slave era that deals primarily with a religious or sacred theme; and

Whereas, it is proper to make the spiritual the official South Carolina music because Charleston was a major port of entry for slaves in North America; and

Whereas, much of this music originated along the coastal regions of South Carolina; and

Whereas, the spiritual was passed down orally for many years and first committed to writing in South Carolina on St. Helena Island by a freed black woman and a white Union Army officer during the Civil War; and

Whereas, the publication of an 1867 book on slave songs was the result of the work done by an educational mission on the Port Royal islands in 1861; and

Whereas, the earliest known spirituals were taken from passages of the Bible; and

Whereas, some well-known examples of spirituals are "Swing Low, Sweet Chariot", "Steal Away to Jesus", "Nobody Knows the Trouble I've Seen", "Roll, Jordan, Roll", "Wade in the Water", "Come by Here Lord, Come by Here", "This Little Light of Mine", "Sometimes I Feel Like a Motherless Child", "Go Down, Moses", "He's Got the Whole World in His Hands", and "Follow the Drinking Gourd"; and

Whereas, Booker T. Washington probably best described spirituals as "... the spontaneous outbursts of intense religious fervor... having their origin chiefly in the camp meetings, the revivals and in other religious gatherings... the music of these songs goes to the heart because it comes from the heart..."; and

Whereas, those South Carolinians who perform the "Gullah Shout" state that spirituals are key to getting the rhythm for the "Shout"; and

Whereas, in old spirituals style, a leader improvises the text, time, and melody and other singers respond by repeating short phrases, and this traditional West African singing style is referred to as leader-chorus or call-and-response; and

Whereas, the legacy of spirituals is still evident in African-American communities where the "talking back" or call and response heard among churchgoers comes directly from slave songs and spirituals; and

Whereas, for many South Carolina citizens, the spirituals were the first songs they learned; and

Whereas, singing a spiritual is one way of honoring one's past and lineage; and

Whereas, although spirituals are not literature, the Norton Anthology of African American Literature signaled their importance by opening up the anthology with a chapter entitled "The Vernacular Tradition" and spirituals are the first discussed oral tradition of black expression; and

Whereas, the origin and development of the spiritual is deeply rooted in this State; and

Whereas, all South Carolinians, from the Piedmont to the Lowcountry and from the Savannah River to the Pee Dee, love to sing spirituals; and

Whereas, all South Carolinians have a desire to recognize this unique and important part of the history, culture, and heritage that we proudly proclaim is South Carolina. Now, therefore,

Be it enacted by the General Assembly of the State of South Carolina:

Official music of State

SECTION 1. The 1976 Code is amended by adding:

"Section 1-1-688. The spiritual is the official music of the State."

Time effective

SECTION 2. This act takes effect upon approval by the Governor.

Ratified the 9th day of June, 1999.

Approved the 11th day of June, 1999.

This web page was last updated on Wednesday, December 9, 2009 at 9:04 A.M.